This afternoon before the rehearsal we'll have a lighting session, where we go through the lighting cue-by-cue. We don't call the singers to these sessions, so we bring in light-walkers. I'll be on headset with them telling them where to go in an approximation of the singers' blocking. Again, lighting shouldn't be all that difficult in this show because it's pretty much a strict remount (meaning the production has been done before) with the same lighting designer and director that were with the production last time it was done. Right before the rehearsal we'll do a sound check for one sound effect and one singer whose voice has to come out of a radio onstage.
During the rehearsal, I'll be on headset with the stage manager and his assistants, sticking close to the director at all times and taking notes for him. The first day of tech is always a bit of a crapshoot, because every director handles things differently and wants different things from the AD. After the rehearsal, we have a production meeting with representatives from every department where we discuss any problems that came up, changes that need to be made, etc.
I'm wearing my Little Miss Bossy t-shirt like I always do on the first day of tech. Now's the time to show my true colors.
As much as I'd love a show w/o scene shifts, I'm actually glad that your show is so easy in comparison. If the crew had two evil shows... I'd really start to worry about them.
ReplyDelete*is not glaring... much*
I think your job sounds so cool. Of course I think almost any job that isn't MY job sounds cool.
ReplyDelete